An Apology to Everyone I Know, Have Known or Will Know 

Dear every person I know, have known or will know,

I’m sorry.

You may not know this yet, but you will. I am an incredibly frustrating person. And I have or will (mostly) unintentionally offend you.

No, really, it’s not just you. Everyone finds me incredibly frustrating and offensive at one point or another. Or many points.

It’s not something you did. It’s not something you said. It’s me. It’s how I am wired. Who I am.

You see, I love my family. I love my friends. I love learning about, listening to, and discovering new people. I love your stories. I love your jokes (even if they’re terrible). I love being a shoulder to cry on and the arm that helps carry your burdens.  I love to laugh with you and get coffee with you and act like a 4th grader with you. I love to hug your kids and listen to them tell me all your secrets. I love you.

But.

There are these three things about me that make friendships, relationships and all human interaction…hmmm…exhausting? Challenging? Stressful? Depleting? Anxiety-inducing?

They make me into a Triple Threat. Only not in the good, Broadway-star way.

Property of Kristin Giuliani

Kristin = Introvert

First, I am an INFP, with a very, very heavy I. That’s I for introvert. Now don’t take this the wrong way, but you people exhaust me. You sap my energy. Even when I’m having a total blast. It’s like jumping on a trampoline. I am having so much fun nearly flying that I don’t realize how much work it is until I get off and try to walk up the stairs. Bottom line: if I don’t have time to be alone, to recharge, then I am a useless, crabby and resentful human being.

Oh, and new or quasi-new people terrify me. My whole life I have tiptoed close to the border of social anxiety. Somehow people are always surprised when I tell them this. I credit this to the hours in elementary and middle school spent acting with our fantastic community theater (thank you, Renee and Penny!) – they had the patience to gently coax the hidden Kristin out from inside the painfully shy shell. Though I am now able to mingle at parties, small-talk at work events, and function as a professional adult, it still takes me hours, sometimes days to talk myself up to go to a large social gathering.

Kristin = Introvert + Constant Contact with Needy Littles

Second, I stay at home with my three beautiful, but extremely present and needy girls. All day. Every day. So I’m almost never alone. Even when I get up at 5 am and just lay in my bed, someone always knows and magically wakes up. It’s kinda freaky. I don’t know how they do it.

Property of Kristin Giuliani

Kristin = Introvert + Constant Contact with Needy Littles + ADHD

Finally, I have ADHD. Yup. Apparently I also hide this well because most people are surprised about this, too. I wasn’t diagnosed until college, but wow. Everything throughout my life makes so much more sense looking at me through the ADHD filter. So I am very easily distracted. And forgetful. And impulsive. If I had to exist as an adult in the era prior to phones that keep your schedule and beep at you, I would be in major trouble.

Property of Kristin Giuliani

Kristin = Introvert + Constant Contact with Needy Littles + ADHD = Relational Disaster

So this lethal combination of traits is why I have 32 unread texts on my phone. Because on some days, after a full day of kids, activities, small-talk, deep-talk, volunteering and work, even reading a text is too much human contact for me. And then, if I don’t respond to a text right away, I get distracted and forget to reply. This is also why I almost never “like” things on Facebook. It’s not because I don’t like what you’re doing – it’s because I don’t even look at what you’re doing. Because even looking at what other people are saying and doing tires me out! And don’t even get me started on the phone. The phone is my kryptonite. Being an adult who has had to hold down a job has helped me get over my excessive phone anxiety. But (and it pains me to admit this), whenever possible, I make Nick call for me, even to order food. And this is why I will go months without calling even my very best friends, with whom I really do want to connect. But most of the time, when I do have a spare moment to chat, it’s because it’s a rare moment that I am alone and not doing something I have to be doing. And I just can’t give that up. And then, when I’m recharged, I forget.

Yeah. I’m a hot mess.

I used to hate these things about me. I used to wish I were someone else. I used to pray that God would turn these things off or make them magically disappear. I wanted to effortlessly know the right thing to say, to be able to small-talk, to chat for hours on the phone, to be pumped to go out after a full day of work, and to be exhilarated to attend large social gatherings.

But, then about 8 years ago, I realized that these things, frustrating though they are, were a part of me. They were the byproducts of my gifts. They were the worst that gave rise to the best (a topic for next week’s post).

I finally understood myself. So I could love myself. And I’m glad that I am who I am.

But, even though I have made a lot of progress, I know I still need to work on those things that impede relationship. And I know I’m still frustrating. Even to myself.

So, every person I know, have known or will know, I’m sorry. And thank you. Thank you for your patience. Thank you for your love. Thank you for your understanding.

And thank you for being in my life in spite of me.

Now go away, and leave me alone.

😉

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Inside the Opera World: Patrons 

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Time for another fun peek into the opera world!

The word “Patron” has become a regular part of my vocabulary. It’s not till I throw this word into a sentence while talking to non-singer friends that I remember its a fairly foreign concept to the outside world. I’m SO excited to be writing on this topic, because its one of the most important parts of the Opera career.
Patrons of the arts are the reason we have the great music masterpieces today. Nearly every great composer had rich and powerful people commissioning and supporting their work. The relationship between artist and patron is what has made the music world what it is today. The opera world is no exception.

Today, opera patrons are what make it possible to have any opera at all. Donations are the primary way companies are able to stay in business and put on such large productions. Main stage opera productions at the Lyric take a massive amount of people to make them happen: they need a full orchestra, 20-90 chorus members, a large backstage crew, multiple stage managers, a conductor, a full cast (sometimes double cast, depending of the frequency of performances), a full cast of understudies, supers, dancers, a choreographer, a fight choreographer, a stage director, an assistant director, a large group of wig and makeup artists, seamstresses, dressers, set designers, costume designers, lighting designers, a prompter, rehearsal pianists, diction coaches, and someone to run the supertitles. That isn’t even including all of the administrators, finance people, development, HR, tickets sales, etc. Factoring in all of those salaries and the cost of the materials to build the giant sets and IMG_2721elaborate costumes and wigs, opera is EXPENSIVE! Even selling out every performance wouldn’t pay for it all.

Opera patrons are some of my favorite people in the world! They love and believe in the art form in a tangibly deep way. Most of them have seen more opera than I ever will and know more about it than I could hope to learn. They are passionate about carrying on the traditions, are excited by new works, and are the most generous people I know. They are the epitome of the phrase “putting money where their mouth is”. They also work tirelessly to introduce others to this art form they cherish so much, always working behind the scenes to get more funding and, as most of them are incredibly successful in their careers, offer insight and wisdom from many other aspects of the business world, which gives aid to opera administrators. They are amazing.

Beyond the big, main stage productions, patrons are THE REASON I have a job and have had the opportunity to train, vocally incubate, and have a steady paycheck for my formative singer years. Young Artist Programs are such a special part of the opera world. Going back in time, in the great eras of opera, singers apprenticed, by studying daily and often living with their teachers or great conductors. They trained constantly and had wisdom passed on to them from the previous generation. Even though my career is only about to launch, I have had the blessing of being a “working singer” since leaving grad school 5 years ago. Classical voices don’t fully mature (depending on the voice type) until our mid to late 30s and some even after that. This means, we wouldn’t have been ready to take on the big roles fresh out of college, making young artist programs a necessity. It’s a win/win situation. Young singers get time and experience by being hired by a company to do small roles and understudy bigger ones, and companies get cheap, but quality labor.

These young artist programs have very special patrons. These folks not only love the art form, but also love helping young singers and watching them grow. They follow our careers and, often, travel to see us perform at other companies as well. They help us get adjusted and show us around when we are new to the city, often house us for periods of time, take us to fabulous concerts, help us out with the expensive aspects of our training, and are our CONSTANT supports and encouragement. They IMG_1240come to all of our performances during our time in the program, always a smiling face in the crowd and a warm hug after the performance. It honestly becomes like having family at every performance and in every city in which we work.

In short, patrons are just plain wonderful. Every one of them has lived fascinating lives and have riveting stories to tell about the great opera singers of the past. Between my time in St. Louis, Arizona, Santa Fe, and Chicago, I have met some of the most wonderful people. They have taken me out to dinner, invited me to shows (including an EPIC Bette Midler concert), helped me find housing in foreign cities, made me an afghan, given me a beautiful hand-me-down mink coat, bought me gowns, hand-carved me a wooden box, and opened their homes to me. I honestly can’t express how grateful I am that they have allowed this art form to continue to thrive, enabled me to pursue this career path, and invited me into their lives. They have a very special place in my heart.

Below is me with my Afghan. Be Jealous. It’s awesome.

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Fabulous Friday: Madeline’s Concoction Kit

It has been a challenging week for the Giuliani household. I’m not sure if it was the weight of Madeline’s anniversary, or the crazy, stormy weather or the anticipation of trick-or-treating. But there were tears, and screaming, and yelling, and fighting, and refusals to go to bed, and refusals to wake up, and refusals to get dressed, and refusals to get undressed, and whining (oh the whining), and nightmares, and 6 am wakings, and stepping in cat puke. Always the cat puke.


Sigh.

But yesterday, we had two glorious hours of calm, creativity and cooperation. All thanks to Madeline’s concoction kit.

Madeline loves to create, and experiment, and explore, particularly with edible ingredients. So after years of her depleting my baking cupboard, we finally wised up and got Madeline her own stash. She loved it so much that “concoction ingredients” were on the top of her birthday list.

Her newest obsession is perfecting a functional (i.e. flight inducing) pixie dust recipe.


Of course, when cleanup time came, the concoction session ended poorly for everyone. Back came the screaming, and whining, and fighting, and complaining.

But, for those fabulous two hours, it was totally worth it.

Two sisters. Divergent lives. Exposing the fabulous. Savoring the common. Eliminating the Fear Of Missing Out.